For nearly a decade, I worked as the primary editor behind BRKsEDU, managing a content pipeline that blended gaming, lifestyle, and sponsored campaigns. The work demanded both creative agility and technical consistency, helping maintain audience engagement at massive scale. Over the years, the channel evolved from traditional gameplay commentary into a library of essays and documentary-style pieces — a shift made possible through a more robust and intentional approach to editing. It was also my creative lab, a space where I wore many hats, taking full ownership of the post-production process: from editing and story structure to sound design, color grading, and motion graphics. That hands-on experience shaped the reflexes I now bring to every project.

Retrocon Coverage:

A branded documentary-style vlog capturing the energy of Brazil’s largest retro gaming convention.

Ubisoft Reels:

A fast-cut, high-energy social media piece announcing Ubisoft’s racing game The Crew: Motorfest, tailored for vertical viewing and algorithm-driven platforms.

Mayra Aguiar x International Olympic Committee & Coca-Cola:

A branded segment spotlighting Olympic medalist Mayra Aguiar for a global campaign. The piece is structured around a casual yet insightful conversation. In addition to BRKsEDU’s channel, the piece was also featured on the official Olympic Channel website.

Essential NES Games:

A nostalgic editorial piece presenting a curated list of essential Nintendo Entertainment System titles in a documentary format.

Beyond these highlights, I’ve edited hundreds of videos for BRKsEDU over the years, from reviews, documentaries, video essays to branded activations and community-driven content. Altogether, my work on the channel has contributed to a library with thousands of uploads and billions of cumulative views, helping define one of the most recognized voices in the Latin American gaming space.